The guitarist/composer who absorbed his art in the land of its origin, Andalucia and later Madrid, introduces his compositions within the forms of the great tradition of flamenco. His unique sound has been honed through a lifetime of concerts and recordings and performing with legends of the song and dance like Rafael Romero and Eva la Yerbabuena.
Voted into the top 3 flamenco guitarists in the world by Guitar Player USA, Juan Martín has toured the world playing concerts from Shanghai and Melbourne to New York as well as in the Montreux Jazz Festival. Critics have compared his compositional talent to that of Albéniz, Turina and Tárrega. He played for Picasso’s 90th birthday celebrations and his books and films for learning the guitar are now translated into many languages with his original book ‘El Arte Flamenco de la Guitarra’ being referred to as ‘The Bible’ of flamenco guitar."
Juan Martín learned his art in the land of its origin, Andalucia in southern Spain where he spent his early formative years and where he still retains a home. As a teenager he played in local fiestas, weddings and baptisms, developing his knowledge and skills in the disciplines of the purest traditions of flamenco. At the age of 17, already playing professionally, he performed in the film ‘Donde tu estés’, filmed in the Málaga region. He also accompanied singers including El Chocolate, Manolo Gafas and Antonio Canillas At the age of 18 he went to Madrid where he gained wide experience with many leading players, dancers and singers. He was greatly influenced by the example and encouragement of the legendary guitarist Niño Ricardo and Juan also became a regular visitor to the home of his friend Paco de Lucía with whom he studied in his early twenties.
These early years provided the basis for his career as a solo performer and leader of his own dance companies, a challenging vocation which has bought him International acclaim as an innovative concert performer, broadcaster and recording artist.
He was voted into the top flamenco guitarists by the magazine Guitar Player for two years running and was invited to perform at Picasso’s 90th birthday celebrations which later led him to record his ground breaking album Picasso Portraits. He has performed at major festivals worldwide including Montreux Jazz twice, once with Miles Davis, the First World Guitar Congress in the USA, The Adelaide Guitar Festival, Celtic Connections, Ludwigsberg , Atlantic Jazz in Canada and the Hong Kong Festival amongst others. He was also featured in the flamenco festivals in Cádiz province as well as the prestigeous Ojen Festival in Málaga.
His interest in the Moorish roots of flamenco led him to record Música Alhambra in 1996 rediscovering Andalusí and Sephardic music from the 12th and 13th Centuries. More recent recording have included ‘La Guitarra – Mi Vida’ as a duo with his colleague Chaparro de Málaga, a live flamenco performance at the Barbican as well as filmed performances both at the Barbican in London and in the Roman Arena in Istanbul. His previous recordings include Serenade recorded with the Royal Philharmonic Orchestra, Painter in Sound with Mark Isham, Through the Moving Window , El Alquimista recorded with other instrumentation in Spain and solo albums including The Early Years, The Flamenco Soul of Juan Martín, Olé Don Juan, Solo, The Andalucian Suites and Luna Negra as well as flamenco albums with the singer Antonio Aparecida.
Juan Martín has a passion for communicating the mysteries of his art to a wider audience so in 1978 he published his first method book “El Arte Flamenco de la Guitarra” which has become a best seller, has never been out of print and has been described as having an authority comprable to Fernando Sor’s studies for the classical guitar. This book was followed by a video series now released as a book with dvds “La Guitarra Flamenca”, “Solos Flamencos” volumes one and two with cd and dvd and his most recent books “Essential Flamenco” volumes one and two. He has also produced transcriptions of his compositions the latest of which is a transcription of 8 solos either in music or tablature called “Guitarra Solista”. His commitment to his art has taken him to at least 40 countries around the world for concerts and he now holds a annual guitar course in Ronda, Andalucia as well as a variety of master classes initiating others into the historic traditions and exciting developments in the art today.
Reviewers have compared his compositions to those of the great Spanish composers Tarrega and Turina and his compositions often reflect the historic sense of places, people and paintings that characterise the remarkable range and depth of his artistry today including his profound sensitivity to the beauties of sound and rhythmic ímpetus of which his guitar is capable.
Press quotes
“A giant of the Flamenco guitar tradition.” The Times
"One of the top three guitarists in the world” Guitar Player, USA
"The Chopin of the Flamenco Guitar" Berner Nachrichten, Switzerland
“Stunning virtuosity and spectacular live shows.” Irish Times
"Highly sophisticated contemporary music" International Herald Tribune
“Martin is a fine soloist. He seduced us with smouldering Mediterranean passion.” The Guardian
"His group takes us on an enchanting journey through the Andalucian Landscape” Sunday Times
"5 stars - Juan Martín reminded us of the power and beauty of flamenco pure and simple." The Independent
“Juan Martín’s flamenco rhythm energy and passion will pin you to the wall.” Folk Roots
Plus Support by:
Lewis Kilvington and Steve Le Voguer
Lewis and Steve play Gypsy jazz guitar Django style. They play all the old standards such as Nuages, Autumn Leaves etc. Lewis is a professional guitarist from Hull, specialising in gypsy jazz. He has performed all around the UK, France and the Netherlands with some of the big names in the genre. A regular at ERT he has performed with his band “The Yorkshire Gypsy Swing Collective” on many occasions. Steve is a guitar teacher based in North Lincolnshire and a musician. We welcome them both to our Sunday afternoon concert of great guitar music.
