Well, I wake up in the mornin’
feel so sick down to my shoes,
the box-office is jumpin’,
I got the Stage 4 Beverley Blues.
I got the blues
I got those February Festival blues,
I better pay my dues
I got those Stage 4 Beverley Blues.
So, all the venues will be buzzin’
and rockin’ to tunes old and new,
I’ll be shakin’ my booty
at the New York Brass Band too.
And after all the events have finished
don’t go down the pub,
when you can kick back with a beer or two,
at the Late-Night Festival Club
I got the blues
I got those syncopation blues,
don’t step on my blue suede shoes
(is the King here?) I got those Stage 4 Beverley Blues.
Now, I’ve been to Glastonbury,
Download and Tribfest too,
but I tell ya Stage 4 Beverley,
I keep a coming back to you…
and it’s not just about the line-ups
the fantastic acts you choose,
no, it’s also because you continue to have…
spotless festival loos!
I got the blues
those sweet jelly-roll blues,
have you heard the news?
I got those Stage 4 Beverley Blues.
Everybody’s clamoring
For Beverley Community Choir
plus Dankworth, Cambo and Bilston,
this festival’s on fire!
And I’m inspired by all this eclectic stuff
I’ll be attending the Harmony Singing Class,
I’m told I can hold a pretty good note…
more like a cat clawing broken glass.
I got those blues
I got those convoluted, rhyming blues,
I hope I’ve lit your fuse?
Now you can get the Stage 4 Beverley Blues.
So, finally,
as you navigate the upcoming festival,
just you remember this sad old blues boy
who’s got those…
Amazing headliners
and talented songwriters,
spoken word
that’s what I’ve heard.
Tickets I’ll be jugglin’
to see the Saltburn Smugglin’,
Nagasaka and Killen
will get us all chillin’.
The Horizon Stage,
that’s gonna engage,
from poetry to page
it’s all the rage.
Danny Bradley guitar pluckin’
Charlotte Carrivick bluegrass truckin’,
Gary Stewarts Graceland singin’,
Sea Shanty swingin’…
Yes, I think you know by now,
I got those blues,
I got those,
Stage 4 Beverley Blues.
On that rainy festival finale
we expected the gritty Bronx,
The Big Bad Apple,
transplanted into the East Riding.
But got North Yorkshire’s finest, a mix of Basin Street
thrown in, and a red-bereted lead guitarist
leading us on, ramping it up –
bringing the noise, the moves, the chaos.
And all thoughts of East Coast, USA were soon roared aside
as we were deluged by trombones and saxes
that roamed the stage in tartan shorts,
that gave us eclectic standards and offbeat originals –
Ellington & Monk, Ross & Whitney –
gave us a blast, funked us to our seats and to our feet:
a riot of horns, percussion, and pure party energy.
Then, the climax,
and we became the show.
A brass-cheeked audience snake,
pied-pipered out of the theatre,
marching with trombones through the foyer,
conga-ing down the corridor,
bursting through the café doors
to blasts of Walking on Sunshine.
The whole band scattered amongst the tables,
commanded us onto our haunches
then down onto our creaking knees.
Finally, a lone sousaphone
lead a looping, growling, call and response,
until our parched lips puckered and breath gave out,
and then calm descended,
and ‘last orders’ were called.
Taking our syncopation into the rain,
we were left with New Orleans’ soul
burning through our veins,
our feet weary and ears gently buzzing.
Enough to serenade us home, pull us into the pillow
and a cadenced sleep. Where we bottled the
night and conjured up dreams of future
festivals, with flamboyant big brass vibes.
Chris Sewart
Festival Poet – Stage 4 Beverley Festival 2026
@chriswriting.bsky.social
I observe that one minute
they are alone at the bar,
the next, two women are
buttering them like toast,
fluttering their egos
with the force of a typhoon.
And the pair
– being malleable men –
accept this unexpected attention,
along with the shared pints
and the shotgun
of innuendo, and easy chatter.
Then, a sudden leftfield
exchange about modern poetry.
Embracing incomplete
couplets, lavishing praise
on controlled assonance
and cool half-rhyme.
Eavesdropping this jumble of
surprising banter, I notice a couple
– snug in the corner –
amused at the flirting,
vicariously relishing
a slice of this fun,
whilst beating meticulous time
with their metronome feet.
Chris Sewart
Festival Poet – Stage 4 Beverley Festival 2026
@chriswriting.bsky.social

Chris Sewart – Stage 4 Beverley Festival Poet, in association with The Philip Larkin Society
* Checkout Stage 4 Beverley Blues 2026 on the Green button
* 1st Poem - Checkout Blowing up a Storm on the Orange button
* 2nd Poem - Checkout Up and Down the Festival path on the Yellow button
* 3rd Poem due w/c 2nd February
The first of three new poems that our Festival Poet, Chris Sewart, has written in the lead up to the festival. Blowing up a Storm, his recollection of the last time New York Brass Band played at S4B Festival in 2022. Created 21st Feb 2026
The second of three poems that our Festival Poet, Chris Sewart, has written in the lead up to the festival. It's (loosely) based around the final Late Night Club of the 2025 Festival, at which Steve Knightley made a guest appearance after his sell out show. The Late Night Clubs return to this year's festival at East Riding Theatre Café Bar.
Our thanks to the Philip Larkin Society @plsocial.bsky.social for supporting Chris in this role.
Enjoy, and watchout for his third and final poem next week...
Get your tickets for this years amazing performance of the New York Brass Band by clicking their image on our Home or Line Up website pages.
We are pleased that in 2026, in addition to his writing workshop and festival appearances, Chris will be our official Festival Poet and this has been made possible by the support of the Philip Larkin Society.
Sounds grand. So, what does that mean? Over to Chris:
‘In the weeks leading up to the festival I will be writing a trio of new poems that take inspiration from my observations of previous festivals, and that also reflect on the forthcoming festival. With such past headliners as Eliza Carthy and Roger McGough, and future headliners Simon Armitage and Jacqui Dankworth – plus all the other fantastic acts lined up – there will be no shortage of material.
I love being part of the festival and I am really looking forward to being Festival Poet. I’m so pleased that The Philip Larkin Society have supported the role, and that this continues my association with them that started back in 2019 when I won the East Riding Festival of Words poetry prize sponsored by the society. So, when this opportunity arose I gave – in the words of Philip Larkin in his poem, ‘For Sidney Bechet’ – ‘An enormous yes!’.’
Watch out for Chris’s poems on our website and social media accounts in the run up to the festival and head to the events guide for tickets for his festival performances, where some of these new poems may just make an appearance!
The Philip Larkin Society was founded in 1995 and is a national and international focus for lovers of his work: as poet, novelist, jazz critic and librarian. The Society are proud to support Chris and his love of Larkin's poetry. To find out more about the society and membership go to http://www.philiplarkin.com . If you have an idea for a Larkin related project, then they would very much like to hear from you.

Chris is a member of The Poetry Society, The Society of Authors, and The Philip Larkin Society.
More information on Chris’s writing can be found at: The Society of Authors.